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"contentId":1954,
"title":"Floor",
"text":"The marble floor of the Great Hall contains a number of modeled and incised brass inlays. The center represents the Sun, on which are noted the four cardinal points of the compass, indicating the main axes of the building. A decorative scale pattern encloses the Sun with alternate sections of red and yellow Italian marble, the former from Verona and the latter from Sienna./r/n/r/nTwelve squares at the perimeter of the floor of the Great Hall represent the signs of the zodiac. The other squares form two patterns of rosettes. They are embedded in blocks of dark red, richly mottled French marble, with borders of pure white Italian marble./r/n/r/nProceeding clockwise from top left, the zodiac signs are Leo, Cancer, Gemini, Taurus, Aries, Pisces, Aquarius, Capricorn, Sagittarius, Scorpio, Libra, and Virgo.",
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{
"contentId":1968,
"title":"Thomas Jefferson Bust",
"text":"The plaster bust of Thomas Jefferson (1743–1826) is a copy of a work by the French sculptor Jean-Antoine Houdon (1741–1828).",
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{
"contentId":1961,
"title":"Celebration of American Contributions to Science",
"text":"The importance of America’s contributions to science and, in particular, Benjamin Franklin (1705–1790) as the discoverer of electricity, is celebrated throughout the Jefferson Building. When the building was completed in 1897, the United States was eager to celebrate many American inventions made practicable by scientific advances relating to electricity. These include the telegraph, the telephone, electrical motors and lighting devices, and the elevator. Throughout the building the bare light bulbs with visible filaments celebrate this American invention and point to its importance to the building.",
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"contentId":1961,
"title":"Putti",
"text":"The figures of little boys on the staircase are known as “putti” in Italian Renaissance art and represent the various occupations and pursuits of contemporary American life when the Jefferson Building was completed in 1897.",
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"contentId":1988,
"title":"Asia and Europe",
"text":"Asia is represented by a Mongolian figure, dressed in flowing silk robes, the folds of which are delicately rendered in marble. In the background is a dragon-shaped porcelain jar./r/n/r/nEurope is represented with a lyre, book and Ionic column―the three objects symbolizing Music, Literature, and Architecture.",
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"title":"Putti",
"text":"The figures of little boys on the staircase are known as “putti” in Italian Renaissance art and represent the various occupations and pursuits of contemporary American life when the Jefferson Building was completed in 1897.",
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{
"contentId":1789,
"title":"Fine Arts",
"text":"The putti represent the arts of painting, architecture, and sculpture. Painting holds a palette, Architecture, with a Greek temple behind him, grasps a compass and scrolled plan, and Sculpture models a statuette.",
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"title":"Painting of Wisdom",
"text":"This circular panel above the doorways by Robert Reid (1862–1929) represents Wisdom.\r\n\r\nThe names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles Eliot (1834–1926), president of Harvard University./r/n/r/nKNOWLEDGE COMES, BUT WISDOM LINGERS/r/n/r/nLord Alfred Tennyson (1809-1892), Locksley Hall (1842)",
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"title":"Painting of Understanding",
"text":"This circular panel above the doorways by Robert Reid (1862–1929) represents Understanding.\r\n\r\nThe names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles Eliot (1834–1926), president of Harvard University./r/n/r/nWISDOM IS THE PRINCIPAL THING; THERFORE GET WISDOM;/r/n/r/nAND WITH ALL THY GETTING, GET UNDERSTANDING/r/n/r/nProverbs 4:7",
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"title":"Painting of Knowledge",
"text":"This circular panel above the doorways by Robert Reid (1862–1929) represents Knowledge.\r\n\r\nThe names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles Eliot (1834–1926), president of Harvard University./r/n/r/nIGNORANCE IS THE CURSE OF GOD,/r/n/r/nKNOWLEDGE THE WING WHEREWITH WE FLY TO HEAVEN/r/n/r/nWilliam Shakespeare (1564–1616), Henry VI, Part II, act 4, sc. 7 (ca. 1598)",
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"title":"Painting of Philosophy",
"text":"This circular panel above the doorways by Robert Reid (1862–1929) represents Philosophy.\r\n\r\nThe names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles Eliot (1834–1926), president of Harvard University./r/n/r/nHOW CHARMING IS DIVINE PHILOSOPHY!/r/n/r/nJohn Milton (1608–1674), Mask of Comus (1634)",
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/*
{
"contentId":21,
"title":"Liberty Cap",
"text":"The Liberty or Phyrgian cap originated in ancient Greece, and by the late Roman Republic this cap of a freedman served as a symbol of freedom from tyranny. It became a popular symbol of liberty during the American and French revolutions and thereafter. In an early study by sculptor by Thomas Crawford, the figure of Freedom on top of the United States Capitol wore such a cap.",
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{
"contentId":1994,
"title":"Authors",
"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history./r/n/r/nGeorge Bancroft (1800–1891), American Historian and Statesman",
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{
"contentId":1993,
"title":"Authors",
"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history./r/n/r/nEdward Gibbon (1737–1794), British Historian and Statesman",
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"contentId":1991,
"title":"Authors",
"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history./r/n/r/nAlfred, Lord Tennyson (1809–1892), British Poet",
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{
"contentId":004498,
"title":"Authors",
"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history./r/n/r/nMiguel de Cervantes Saavedra (1547–1616), Spanish Writer",
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"title":"Authors",
"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history./r/n/r/nVictor Hugo (1802–1885), French Poet and Novelist",
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"title":"Authors",
"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history./r/n/r/nWalter Scott (1771–1832), Scottish Writer",
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"contentId":2144,
"title":"Printers' Marks from United States and Britain",
"text":"Printers' marks were a type of self-protection akin to a trademark or copyright today. Sometimes they protected privileges granted by kings or religious leaders. Often they incorporated mottoes based on the names of kings or religious leaders. Mottoes were often in Latin and sometimes in Greek or Hebrew. There are fifty-six printers’ marks around the ceiling on this level.\r\n\r\nCharles Scribner's Sons",
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"contentId":2147,
"title":"Printers' Marks from United States and Britain",
"text":"Printers' marks were a type of self-protection akin to a trademark or copyright today. Sometimes they protected privileges granted by kings or religious leaders. Often they incorporated mottoes based on the names of kings or religious leaders. Mottoes were often in Latin and sometimes in Greek or Hebrew. There are fifty-six printers’ marks around the ceiling on this level.\r\n\r\nHarper and Brothers",
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"contentId":2135,
"title":"Printers' Marks from United States and Britain",
"text":"Printers' marks were a type of self-protection akin to a trademark or copyright today. Sometimes they protected privileges granted by kings or religious leaders. Often they incorporated mottoes based on the names of kings or religious leaders. Mottoes were often in Latin and sometimes in Greek or Hebrew. There are fifty-six printers’ marks around the ceiling on this level.\r\n\r\nRiverside Press",
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"contentId":1999,
"title":"Winged Figures of Genius",
"text":"At the corners of the ceiling two winged figures of genius flank an emblem showing the traditional symbols of learning, a torch and a book. The figures were modeled by sculptor Philip Martiny (1858–1927). Stars appear in the painted background by the artist Frederic C. Martin (1866–?).",
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"title":"Winged Figures of Genius",
"text":"At the corners of the ceiling two winged figures of genius flank an emblem showing the traditional symbols of learning, a torch and a book. The figures were modeled by sculptor Philip Martiny (1858–1927). Stars appear in the painted background by the artist Frederic C. Martin (1866–?).",
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"contentId":2000,
"title":"Ceiling",
"text":"During the renovation of the Jefferson Building in the 1980s, restorers discovered that the metallic ornamentation of the ceiling, once thought to be silver leaf, is actually aluminum leaf. When the building was being constructed during the 1890s, aluminum was more precious than silver. The scale-pattern design of the six large skylights mirrors the pattern of the marble flooring beneath.",
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"contentId":1954,
"title":"Floor",
"text":"The marble floor of the Great Hall contains a number of modeled and incised brass inlays. The center represents the sun, on which are noted the four cardinal points of the compass, indicating the main axes of the building. A decorative scale pattern encloses the sun as a centerpiece./r/n/r/nTwelve squares at the perimeter of the floor of the Great Hall represent the signs of the zodiac. The other squares form two patterns of rosettes. They are embedded in blocks of dark red, richly mottled French marble, with borders of pure white Italian marble. /r/n/r/nProceeding clockwise from bottom left, the zodiac signs are Leo, Cancer, Gemini, Taurus, Aries, Pisces, Aquarius, Capricorn, Sagittarius, Scorpio, Libra, and Virgo.",
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"contentId":1959,
"title":"Commemorative Arch",
"text":"This Commemorative arch by Olin L. Warner (1844–1896) leading to the Main Reading Room commemorates the erection of the Library of Congress. Its sculpture The Students represents the pursuit of knowledge. On the left a young man seeks knowledge through reading. On the right an older man with flowing beard is shown absorbed in meditation, no longer concerned so much with a source of learning because he observes life and engages in original reflection and thought./r/n/r/nIn the frieze above them the words “Library of Congress,” are inscribed in tall gilt letters.",
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"contentId":000571,
"title":"Inscription",
"text":"A second inscription names those involved in the building of the Library. The text reads:/r/n/r/nErected Under the Acts of Congress of/r/n/r/nApril 15, 1886; October 2, 1888; and March 2, 1889 by/r/n/r/nBrig. Gen. Thos. Lincoln Casey/r/nChief of Engineers U.S.A./r/n/r/nBernard R. Green Supt. and Engineer/r/nJohn L. Smithmeyer Architect/r/nPaul J. Pelz Architect/r/nEdward Pearce Casey Architect",
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"contentId":1990,
"title":"Eagles as Symbols of the United States",
"text":"The numerous representations of eagles throughout the building are symbols of the federal government.",
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{
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"title":"Eagles as Symbols of the United States",
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"title":"Authors",
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"title":"Printers’ Marks from Spain and France",
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"title":"Ceiling",
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"title":"Asia and Europe",
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"title":"Celebration of American Contributions to Science",
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"contentId":1992,
"title":"Authors",
"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history./r/n/r/nHenry Wordsworth Longfellow (1807–1882), American Poet",
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"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history./r/n/r/nAlfred Lord Tennyson (1809–1892), British Poet",
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"text":"The names and quotes in the Great Hall were chosen by Librarian of Congress Ainsworth Rand Spofford (1825–1908) and Charles W. Eliot (1834–1926), president of Harvard University. The works of these illustrious authors were popular at the time the building was constructed, and they were considered to have made great contributions to literature and the study of history. /r/n/r/nEdward Gibbon (1737–1794), British Historian and Statesman",
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"text":"At the corners of the ceiling two winged figures of genius flank an emblem showing the traditional symbols of learning, a torch and a book. The figures were modeled by sculptor Philip Martiny (1858–1927). Stars appear in the painted background by the artist Frederic C. Martin (1866–?).",
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"text":"During the renovation of the Jefferson Building during the 1980s, restorers discovered that the metallic ornamentation of the ceiling, once thought to be silver leaf, is actually aluminum leaf. When the building was being constructed during the 1890s, aluminum was more precious than silver. The scale-pattern design of the six large skylights mirrors the pattern of the marble flooring beneath.",
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